Stop-Motion How-To: Easing In, Easing Out

Easing in and easing out is an essential method for making your puppet's moves look real!
Easing in and out is the technique of moving your puppet less at the beginning and ending of a movement. If you analyze the way people move, you'll notice that they do the same thing. For instance unless your The Flash, you probably don't start running as fast as you possibly can right away. Instead, you start off slowly, then move into full speed. And unless you have gas brakes in your shoes, you won't be making any immediate stops either. The same thing applies when someone picks up an object: he won't jerk forward and grab the object, then jerk back. Instead, his hand will start off slower, go into full speed, then slow down when he reaches its goal.

Marc Spess made a great video showing how easing in and easing out works. Check it out below!

Stop-Motion Fun Stuff: Arthur

The animation below (animated by Guionne Leroy and inspired by the opera King Arthur) has become one of my favorite clay animations on YouTube. The way the character and sets have been sculpted and animated give it a unique and very whimsical feel! It is a truly beautiful piece of animation!

Stop-Motion News: Shaun the Sheep Series 2

Shaun the Sheep, the unlikely hero from A Close Shave has done quite well for himself since then. He got his own show, which won numerous awards, and he's coming back for another round with the second series of his show.

A lot of changes have been made for the new series. The first thing most people will notice is that some of the characters have undergone makeovers, some as big as Bowser's new white splotches and some as small as the farmer's scruffier face.

A cart load of new characters has also been added to the show, and some of the minor characters from the first series have been given bigger parts.

The show is now being shot in HD, and the new crispness is definitely visible!

The show is already being aired in the UK and a few other nations, but I could not find any air dates for the USA.

For more information you can check out the Series 2 Production Blog on the Shaun the Sheep website.

Stop-Motion How-To: Failure

Sooner or later, there's a time in our life when we come across something many people consider a terrible thing. Something they think life would be better without. That thing is failure.

Personally, however, I think failure can be one of the most useful things in life and in animation. A lot of you out there may be thinking I'm absolutely nutty, that failure is what brings us down, not the opposite. And that is true, it can and will bring you down. But it can only do that if you let it.

Failure is a teacher, the best one you'll ever get in this life. But you must learn to listen to it. When you fail at something, don't go into depression because you screwed up. Instead, look for the reason behind your failure, learn from it, and avoid it in the future. Often when someone has failed, he says, "I tried and failed, so now I'm just gonna quit." You can't expect to have success the first time you start something, and you also can't expect not to fail even after you've experienced success.

Trying again is often frightening. You may have put so much effort and heart into your project the last time, only to meet the grim face of failure. But I bet if you find what you did wrong and correct it, you'll do far better the second time!

I guarantee sometime in your animation career, you'll have more than a few failures. Puppet modeling, lighting, animation - none of us succeed at these things the first time. Keep your chin up, and remember that a failure isn't something terrible. It's just a stepping stone too becoming a great animator.

The video below isn't about animation, but everything in it can be applied to our craft.

Stop-Motion Fun Stuff: Wallace and Gromit Tribute

Since this year is Wallace and Gromit's 20th anniversary, I thought I'd post something to do with them and the first thing that came to mind was Andreas Francis's animated tribute. Andreas animated this for his first Stop motion assignment. The assignment was: Have a white clay ball roll in from the side, do something, then roll out again. As you'll see, he went far beyond what was required for this project!

Check it out below!

Stop-Motion News:Stop Motion Magazine!

Finally, someone has stepped up to the bar and brought together something I have only dreamed of coming to life: A stop-motion magazine! That someone is John Ikuma, and he's done a great job putting this magazine together.

There are currently two issues available, both of them containing a truckload of great information. The 1st issue includes four very inspirational interviews, a review of a new animation program, and a tutorial showing how to make a simple animation rig.

The second issue takes you on a in-depth look through the production of Titan Maximum, an interview with Stan Starwn, reviews of the programs Magpie Pro and iStopmotion Pro, and a tutorial on how to build a dolly for your camera.

As you can see, there is no lack of information in these magazines, and believe it or not, the magazine is totally free! You can download both issues here. Also, check out the newly launched Stop-Motion Magazine blog, which shows the behind the scenes and sneak peeks of upcoming issues.

Stop-Motion How-To: The Effect of the Sound Effect

Something you need to seriously consider in the finished product of your animation is sound effects. Some animators may think sound effects are nice but not all that crucial to a finished animation. But in order to bring your animation to life they really are needed.

Sound effects can be just as crucial to telling a story as character voices. For instance, when your puppet sets down an object, the sound effect you choose helps identify what type of object it is. If it's a heavy object, it would probably make a loud clunk, or if it's metal, it would jingle. Portraying that the object is heavy or metal would likely be evident in the animation, but sometimes it's simpler to help the audience know what's going on through a sound effect or two. Our ears help us identify things almost as much as our eyes do.

How do you create these sound effects? Professional studios usually hire a sound-effect team to create custom sounds for the animation. But hiring such a team could get rather pricey, so I would recommend buying a prerecorded soundtrack. There is quite a selection to choose from. The biggest pack of sound effects I've seen is The Sony Pictures Sound Effects Series, which is a box set of 10 CDs with over 2,300 effects in a wide assortment of categories. The downside of the Sound Effects Series is that it costs $300-$400. If you're looking for something a tad cheaper, I highly recommend the 500+ Sound Effects mp3 download, which includes 6 CDs worth of sound effects. As of the date of this post, you can download it from Amazon for $1.99.
If you are using Windows Movie Maker, be aware that since it limits you to one audio track, you won't be able to add any music along with the sound effects.

Since audios and visuals are the only two senses that can be applied to the motion picture, you should not only use sight to it's full extent but sound too.